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Archive for the ‘working’ Category

Years ago, I was the fourth person hired at a start-up. I was also the first non-programmer, which meant that I was an outsider, tolerated for a few useful abilities that nobody else wanted to concern themselves about, and often condescended to in an allegedly friendly way as I struggled to increase my spotty knowledge. Perhaps that was why I was sensitive to what happened when the first women were hired.

The other employees were young men in their twenties, some single, others in permanent relationships that were up to several years old. Thrown into an empty office several floors above the parent company, the company had the atmosphere of a locker room – nothing too raunchy, you understand, just a group of young men acting the way they had been taught to act, with a lot of casual talk about women and equally casual squalor of the sort left by men who had never been responsible for picking up after themselves.

By contrast, I was older and long-married, which were other reasons why I was an outsider. As the company slowly grew, continuing all male, I had plenty of confirmations of my belief that men and women tend to civilize each other, and that one-gender groups were about as appealing as an old sock growing mildew at the bottom of the laundry basket.

Then an office manager was hired. In those days, the position was as inevitably filled by women as programming jobs were filled by men, and this new hire was no exception. The all-men’s club was about to change.

I was responsible for bring the new hire up to speed, since she would be taking over tasks that I had been doing for lack of anyone else to do them. Tentatively, before she arrived, I suggested a few changes in daily behavior, like removing the soft-core anime screen-savers, and maybe making an extra effort to make her welcome. My suggestions were mocked, although, to be fair, when the time came some of the other male employees did seem to make a bit of an effort.

The trouble was, those efforts were nowhere near enough to overcome the habits of several unsupervised months. The new office manager was barely out of college, and visibly nervous about stepping into this atmosphere. Not only did she have no experience exercising the authority she was supposed to have, but many of the other staff members talked to her breasts more often than her face. Once or twice, she almost certainly heard her body being evaluated by some of the men.

Watching this, I felt like apologizing on behalf of the company, but I was equally unsure of how to use authority. I worried, too, that bringing the topic into the open would only add to everyone’s discomfort, especially since I am a man myself.

However, I soon concluded that, as annoying as my treatment had been, it was trivial compared to the office manager’s. After all, while not a programmer, I was quickly learning enough to hold my own. I had also discovered that, short of being familiar with the technology, the next best thing was to show a willingness to learn. Over time, I was gaining limited acceptance, at least among some of the programmers.

At best, though, the office manager had only a professional interest in the technology. But even if she had been willing to learn, I realized that she would never be fully accepted, simply because she was a woman. Too many of her fellow employees were asking her out – and none of these suitors had the maturity to accept the authority of a woman they hoped to date.

The second woman had the advantage of being a bit older and a bit tougher. Also, she was a technical writer, and the male programmers were only too glad to have private conversations with her. But her situation was similar, and she was too different from the office manager for either to support the other.

Another woman, hired to help with the Japanese translation of the company’s products, was even more isolated because of her limited English. Still another, hired as a receptionist, had to endure the graphic designer moving his computer so he could sit with her. She already had a boy-friend, but had no idea to handle the situation – and neither the office manager nor I had enough support from the company founder to get the designer to change his behavior. If anything, many of the programmers applauded his chutzpah.

The only woman who held her own was the finance clerk, whose expertise nobody disputed. About sixty, she could also assume a motherly role, treating the rest of the staff as children. But if she ever helped the other women cope, I never observed it.

For myself, I never did figure out how to intervene effectively, and after ten months at the company, I realized it would eventually fail and moved on. But I wonder, sometimes, if I would ever have noticed the difficulties of the women if I hadn’t been in a position to empathize, or felt partly responsible for them. Certainly, I was the only man who ever expressed concerns, even if I were too inexperienced to do anything.

However, what bothers me most about that situation is how routine it was. Few of the programmers were ogres of sexism. They were nothing worse than young men, and, while they were conditioned the way that most young men are in our culture, most of them were too introverted and polite to be the worst representatives of that conditioning.

Nor were the female employees particularly sheltered. Yet, despite being constantly thwarted in their efforts to carry out their jobs, none complained or made any effort to improve their situation. Instead, the women simply acted as though such difficulties were nothing new – which, of course, they weren’t.

Long before this experience, I had counted myself a feminist. Yet somehow I had managed to miss how ordinary this systemic sexism actually is. But since then, this reality has been like a bad smell that, once noticed, spoils all the other smells. It is a perception that I have no way of turning off. And, ever since, I have wondered frequently at the crassness of many men and the patience of most women, and worried about how much I contribute to the problem and whether I do enough to help solve it.

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Growing up, I assumed that sooner or later I would be a teacher. For someone with the ability to write, it seemed the easiest way to make a living. However, my first semester as an instructor was so disastrous that it was almost my last.

Part of the problem was that, like most people with a master’s degree in English, what I knew was literature – but the jobs available for newly-minted graduates were inevitably for teaching composition. The assumption was that anyone with a degree in English must be an expert in rhetoric, which only makes sense if you have never read an academic journal, and have somehow missed the fact that literature and rhetoric were two different subjects.

However, most of the blame belongs to me. While doing my degree, I had worked regularly as a teaching assistant, sometime without outstanding student evaluations. I was left with an exaggerated sense of my own competence, and no understanding whatsoever that leading a discussion did not prepare me in any way for designing a curriculum or taking responsibility for an entire class. In effect, I was like a corporal suddenly trying to doing a captain’s work without any idea of the shift in perspective that was needed.

To make matters worse, I had booked a full teaching load for the semester at two separate community colleges. One of these bookings required a two hour commute both ways twice a week. I barely had time to mark, let alone plan lessons, and I was soon lurching from class to class, struggling to have something ready to teach.

Another mistake I made was to start with the assumption that students would be in my classes in order to learn. I didn’t appreciate that community college was a continuation of high school by other means by teenagers still living in their parents’ house and not ready for full-time work.

Nor did I understand that, although I was interested in the subject of composition, I was usually a minority of one any time that I taught it. Composition is usually compulsory, and students imagine that, having passed high school, they already know how to write an essay. Consequently, they are so bored in class that, during one lesson when I segued from my lecture to reciting “Jabberwock,” it took nearly a minute for most of the class to notice.

Anyway, the result of all these circumstances was that I approached course design in the most clumsy way possible. My conception of what I was doing was so haphazard that I even scheduled one class to talk about sentences, their length, and how to vary them.

Almost immediately, I failed. What’s more, by halfway through the semester, the students and I both knew I was failing. Soon, I was entangled in a positive feedback loop, feeling I was a hopeless failure and desperately soldiering on while feeling I had no credibility. The other teachers at the two colleges seemed unapproachable, and the lingering tatters of pride kept me from asking for help from those who had been in graduate school with me.

The low point came with a final exam. The college had changed its time without telling me, but of course the English Department’s chair saw my non-appearance as yet another proof of my inadequacy. As she handed me the exams from my class, I didn’t even bother to ask about next semester. The disdain in her voice was so obvious that I knew what the answer would be. Also, I was afraid of what else she might say.

Miserably, I took the exams and cleared out my desk. Before I left the college for the last time, I went into the room where I had taught and wrote in block letters on the blackboard, “I AM NOT DAUNTED!” But it was an empty and melodramatic gesture, and didn’t make me feel much better.

My results at the other college were better, but only slightly so. The best comments on my teaching evaluations were that some of the students thought I was trying hard. After a pained discussion, the dean agreed to give me another semester to improve.

Given this reprieve, I knew I had to do something drastic. If I couldn’t teach, what else would I do? Work in a book store at minimum wage? That was the fate I had gone to grad school to avoid.

The next semester, I decided, I would throw myself directly into the snake pit. I spent extra hours sitting in on other instructors’ classes, asking them questions, and started reading on the subject I was supposed to be teaching, appalled at how little I actually knew. I set long office hours, and urged students to come to talk to me as they planned their essays and afterward to discuss the results.

In the class room, I concluded that teaching was performance, and set up conditions to remind myself constantly that I was always on stage. I had students circle their desks, with me in the middle, forcing myself to keep turning as I engaged, walking constantly back and forth as I spoke and kept an eye on how each student was doing. I channeled all my desperation into the performance, leaving me drained and hungry after each class, although I always took five minutes to critique myself immediately after. For three months, I lived teaching and thought about little else, determined I was going to do it right.

Somehow, miraculously, I did. Enrollment had dropped sharply by the end of the semester, mainly because the class was full of foreign students who should have been in remedial English and needed at least a pass to stay in the country. But the students who remained gave me all but perfect scores on the evaluations.

I continued working as an instructor semester by semester, for another seven years. Sometimes I was called in the night before the first class, but I had established myself as someone who could teach composition, and engage students’ attention.

True, I never tried teaching from inside a circle very again, but I had learned very thoroughly the dangers of complacency. A year after these events, and I was teaching upper level classes at Simon Fraser University, one of the few instructors without a doctorate permitted to do so.

When I finally left teaching, it was for my own reasons, not for any problem with my teaching. But I left with my personal mythology fully evolved from its earliest origins in the story of how my namesake Robert the Bruce had persevered in his war against the English because of a spider.

Yes, I was capable of failure – deep and wrenching, wretched failure. But I was also capable of coming back from it, a fact that I have never forgotten since.

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The last time I worked in an office, I couldn’t wait to work from home. I had lost what little tolerance I ever had for endless meetings, and HR managers dragging everyone from their keyboards to play morale-building games of charades. Yet no sooner had I started working from home that I started looking for other places where I could sometimes work. The search continues, eight years later.

The trouble with working from home, especially when you live alone, is that you can easily spend days with no human contact. Yet finding the right work space elsewhere is difficult, too, since I would prefer to walk or cycle, and, although I want people around me, I don’t want so much noise that work becomes impossible.

Less than twenty meters from my door is a gazebo surrounded by flowers. Unfortunately, it’s in a courtyard where children are playing at most times of the day. Their parents are usually in the courtyard, too, idly chatting, and while I’m glad enough to talk to them when we meet at other times, I have been unable to convince them that when I’m carrying my laptop I prefer not to talk.

The same problem exists with the pool in my townhouse complex. I’d love to sit by the water on a deck chair, and dive in to do a few lengths while I’m working out how to word something, but, when I try, neighbors persist in asking what I’m doing.

Less than a kilometer away, there’s a rec center. It has an open area full of tables, which is often used by ESL tutors to meet their students. Unfortunately, it’s right beside the gym, where troops of adults and children are constantly passing. Also, every now and again, the staff decides to discourage people using the tables, so I can never be sure that the tables are available.

Not much further on are coffee shops. Unfortunately, one is too quiet to bother with. Another is wedged into a corner of the supermarket. A third has glass down one side, and by early afternoon feels as comfortable as a greenhouse, even on cloudy days.

Besides, I feel like a dilettante working at a coffee shop – and more of a bit of a freeloader, even if I buy something every couple of hours.

The best solution I’ve found is to sit in the shade under a tree in the local park, where I can hear the nearby stream and watch people pass on the sidewalk. However, when I do that, I usually drowse, leaving my work half-done.

Usually, the off-chance that I might get work done in any of these locations seems to small to gamble on. Instead, I stay by my work station, half-convinced that I am missing something somewhere, being productive, but convinced that by staying I’m one day closer to a curmudgeonly and lonely old age. Yet even that seems a brighter prospect than returning to an office job.

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Long ago, I lost count of the classes I taught and the talks I’ve given. The number, though, must be in the hundreds. I can remember only a handful in which I wasn’t nervous beforehand – and they were uniformly disastrous. At least for me, anxiety about speaking in public is normal, so over the years I’ve learned to cope with it.

Notice that I said “cope,” not “eliminate” or “reduce.” In my experience, you can’t eliminate or reduce what actors call flop-sweat, and you shouldn’t even try. I strongly believe that nervousness is unchannelled energy, and the trick is contain and direct that energy so that you release it while speaking, and give your talk an extra edge.

How do I turn that anxiety to my advantage? If the class or talk is especially important, and I feel even more nervous than usual, I make sure that I exercise lightly or moderately in the morning. The exercise bleeds off the excess energy, and leaves enough adrenalin and endorphins in my body that I’m awake and alert.

If possible, I like to eat lightly about two hours before I talk. I don’t want to eat too much, because doing so would make me drowsy. Nor do I want to eat so little that I’m thinking about food when I should be watching how my audience is reacting to my words.

I also want to eat healthily. If I eat junk food, then the sugar rush will be leaving me just about the time I speak. Fruit or fruit juices are usually a good choice, I find.

About half an hour before I speak, I prefer to find a room – or at least a corner – where I can review my written or mental notes about what I wish to discuss. Even if the material is as familiar to me as the ring on my finger, reviewing the notes gives me something to do and reduces any fear that I don’t know the material. Besides, I may discover something new to say that enhances my presentation.

If I am more nervous than usual, a short, slow walk helps. During the walk, I concentrate on breathing regularly, and mentally go over my topic. If possible, I try not to speak to anyone. If talking is unavoidable, I’ll be friendly, but keep my responses to a minimum.

Just before I enter the room where I’ll be talking, I may also do some breathing and visualization exercises. One exercise that has helped for years is to count ten deep, slow breaths, imagining each one descending to my navel and sitting there. Then I take another ten breaths, imagining as I exhale that each breath expands from my navel through my torso and down my arms and legs.

In another exercise, I repeatedly imagine myself drawing a line from my forehead to my navel, my breath following the line. If I am alone, my hand may actually trace the line in the air, almost as though I am closing a zipper.

Both these exercises help to calm me and leave me centered and ready to speak.

Finally, just before I speak, I take a few seconds to look over the audience. This habit convinces me that the audience is not so fearsome as my imagination made it. But I also imagine that all the nervous energy I’ve been struggling to contain expands like a sphere to include the audience and myself – and, with that, I’m ready to begin.

As I talk, now and then I’ll mentally renew the sphere, sometimes imagining smaller ones reaching out to audience members who seem disinterested. Perhaps it’s a selective memory, or the disinterested audience members simply notice that I’m looking at them, but the visualization usually seems to refocus their attention.

Perhaps this routine is part neurosis or superstition. However, for me it works, so I’m not very tempted to tinker with it. I don’t suggest that everyone follow my routine, but I do suggest that people follow their own. And if any of my routine works for anyone else, so much the better. With a little experimentation, you should be able not only to control your nervousness about speaking, but also use that nervousness to help you speak with more energy and confidence.

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You’ve got to sing like you don’t need the money,

Love like you’ll never be hurt,

You’ve got to dance like nobody’s watching,

It’s got to come from the heart if you want it to work.

– Kathy Mattea

Sometimes, I find myself rediscovering the obvious. When that happens, I’ve learned to pay attention, because it always means that I’ve forgotten something to which I need to pay more attention. A few days ago, I made the thirtieth or fortieth of these rediscoveries in my lifetime – this one to do with networking.

Most of my income these days comes from journalism, but I do pick up the occasional tech-writing, communications, or graphical design work on the side – especially since the rise of the Canadian dollar has reduced the converted value of my pay cheques in American funds. Consequently, like any consultant, I am constantly networking to keep my name out there.

The only trouble is, most networking events are at the end of the day. After eight to twelve hours of work, going out is often the last thing on my mind. I often feel like I have to drag myself out to the events, when, instead of meeting a room full of strangers, what I really want to do is sprawl out on a futon with a parrot or two.

Then, when I get there, I have to get into persona. Regardless of how I feel, I have to look and sound outgoing, and bring out my best small talk. I never have been one of those who believes in speed-networking, counting the evening’s success by the number of cards I collect, but I have usually felt that I ought to circulate when I was really more in the mood to find a good conversation with two or three people in some quiet corner.

Yet over the last couple of years, I’ve been thinking more and more than the typical networking event was becoming less and less worth my while. Part of the reason was probably the tight economy, and another part that many of the same people keep attending the local events. But it was only this week that I accepted that most of the problem was my attitude.

The revelation came because I was out at an altogether different gathering. It had nothing to do with work, or even technology – it was just a group of people with a common leisure interest. And there, when I wasn’t even trying, I got the first piece of consulting work I had picked up at public event in over a year.

If that had just happened once, I would have attributed it to serendipity. But the next night, under the same casual conditions, it happened again, which makes coincidence seem less likely.

The difference, I think, lies in the image I project. I like to think that I talk a good line of piffle, and can make myself likable when I make an effort, and to judge by how people respond, that is not completely my imagination. But when I am going against my inclinations and maybe trying too hard, I suspect that I am projecting – not falseness, exactly, but an impression that is less than completely genuine. Even if most people are unable to explain why, something about me does not seem right.

Should I be in the position of needing work, this lack of authenticity is compounded by desperation. Most people, I find, are made uncomfortable by the slightest hint of desperation, and will avoid people who show signs of it. A few will even try to take advantage of it, although that’s another issue.

By contrast, at genuine social events, people are more likely to be relaxed and able to enjoy each other’s company. Our attitudes create an atmosphere in which actual connections can be made. Although the contacts we make may be fewer than those made at a networking event, the ones we do make are more likely to run deeper. Paradoxically, the less we try to connect, the more likely we actually are to connect.

I’m thinking now that much of how we’ve been told about how to network is inefficient, if not a waste of time. When I consider how I react to most of the people at networking events, I suspect that I’m not the only person with authenticity problems in attendance. Many, perhaps most, I suspect have the same problems as I do to a greater or less degree.

Under these circumstances, is it really so surprising that so few of us connect? We all want something from such events – a connection, a lad, a job – and we are all trying so hard that most of us are being less likable than we could be. Moreover, if some of us do have something in common, we may never realize the fact, because we are too busy with our false fronts.

To suggest that we stop worrying about making impressions or collecting business cards may sound counter-intuitive. To go out and simply enjoy ourselves, trusting that we will make connections without really trying might sound irresponsible, and trusting too much to luck. And almost surely it will result in far fewer connections than a networking event. Yet the connections we do make when not trying too hard are likely to be ones that are meaningful to us. Best of all, they don’t result in hundreds of business cards that we keep in drawer for a few years before we throw them away wondering who exactly all these people might be.

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