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Posts Tagged ‘Gwaii Edenshaw’

Northwest Coast jewelry can easily cost thousands of dollars, especially if you are buying a gold piece. But, fortunately for those with neither the cash nor commitment to spend that sort of money, you can easily find quality designs –usually in silver — for under $300. Naturally, for that price, you don’t get an exclusive design, but you will find intriguing ones.

Here are several random examples I get from looking around the bedroom:

  • Like much of Alano Edzerza’s work in any medium, this ring of a frog head is bold and dramatic, with simple but effective lines. It is also one of the heaviest rings I’ve owned, with a band nearly three-quarters of a centimeter wide at the back. I’ve joked that I’m going to get another four, and I’ll have an effective set of brass – or silver — knuckles.

    gwaai-edenshaw-silver-frog

  • By contrast, this frog ring by Haida jeweler Gwaii Edenshaw is altogether more delicate, although suitable for either a man or a woman. This one is unusual for Edenshaw, in that it is silver, rather than the gold he usually works in (although a more expensive version has gold eyes, and an even more expensive one is cast in 18 karat gold, which is about as impure as he generally goes). It is also not particularly Haida in design, except for the ridges down the frog’s back. But it is a whimsical piece, with the frog resting its head on its front flippers and its back flippers locked together on the band on the back.
  • gwaai-edenshaw-silver-frog

  • These earrings are another commercial design by Gwaii Edenshaw, light, with the design just barely visible. They’re suggestive of worn petroglyphs, or perhaps a hand-inscribed design.
  • gwaai-edenshaw-small-earrings

  • Marcel Russ did this unusual design based on the myth of Raven stealing the light. This topic is a common one in many media in Northwest Coast art, and to pull it off, the artist really needs to come up with a different design. Russ’ approach is to show only the Raven’s head and the sun or moon in his beak. The result is a contemporary piece that retains strong roots in tradition.
  • marcel-russ-raven-steals-the-light-earrings1

All these pieces are highly affordable, and the last two are available for $100 or less. In all cases, you would be lucky to find comparable sophistication in a mainstream jewelry store. For the same price, you’d probably get an abstract design, or a mounted semi-precious stone with next to no design at all, and probably with a lower silver content besides.

Of course, Northwest Coast jewelry does have its share of what I think of as touristjunk (all one word), but for the same price as the touristjunk, without much effort you can find superior works like these ones.

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As I visit Northwest Coast Galleries in Vancouver, I’m starting to notice relations between certain galleries and certain artists. Out of friendship, enthusiasm, long-term business relations, or a combination of all three, some galleries simply carry a better selection of some artists than others.
Here are the specializations I’ve been able to detect so far:

  • Coastal People’s Gallery: This gallery has a good general selection of artists, although it seems to be buying less recently, possibly because it’s overstocked. However, it is the main exhibitor in town of Henry Green, especially for his carved and increasingly colorful panels. Coastal People’s also favors Chester Patrick, a less well-known artist who has done a number of acrylic paintings notable for the complex grouping of characters, as well as panel carving. Since the summer, the gallery’s Gastown store has had space set aside for Patrick to work. I’ve heard at least one patron refer to Patrick as the store’s artist-in-residence, although I don’t know whether the arrangement is formalized.
  • Douglas Reynolds Gallery: Douglas Reynolds seems to have first right of refusal on works by Beau Dick, the Kwaguilth mask-maker and Haida artist Don Yeomans, possibly because the artists have a long friendship with the owner. At any rate, the selection of works by both Dick and Yeomans tends to be larger and more varied than at any other gallery – so much so that, in Yeoman’s case, I tended to think that he was past his creative prime based on his work in other galleries. However, based on what I’ve seen at Douglas Reynolds, that’s far from true; I just wasn’t seeing his best work. This same gallery has also started carrying a good selection of jeweler Gwaii Edenshaw.
  • Edzerza Gallery: As you might expect, this new gallery is mainly a showcase for the work of owner Alano Edzerza. However, it has also had the work of newer artists like Ian Reid and John P. Wilson.
  • Inuit Gallery: The Inuit Gallery seems to have good connection with the North, including Alaska artists like Clarissa Hudson and Norman Jackson, whom many galleries neglect – even though importing First Nations art from the United States is supposed to be duty-free. Recently, it has also had a couple of new masks from Tlingit/ Northern Tutchone artist Eugene Alfred, and a number of playful masks from Kwaguilth carver Simon Dick. Other with whom the gallery seems to have a good relation include Salish artist Jordan Seward and Nuu Chan Nulth artist Les Paul.
  • Sun Spirit Gallery: Located in West Vancouver’s Dundarave strip, this small gallery currently has a strong selection of Klatle-Bhi’s work, particularly masks. Much of this work is in Klatle-Bhi’s apparently favorite white and light-blue palette.
  • Spirit Wrestler Gallery: Robert Davidson seems to offer new works to Spirit Wrestler first, and to have an arrangement with the gallery for prints as well. The gallery also gets the pick of new works by Norman Tait, and currently has more work by Dempsey Bob than any other gallery in town. In addition, the gallery seems to cultivate some of the best of up and coming artists, such as Dean Heron and Sean Hunt, making it more adventuresome that I originally thought from my first visit.

As I was making this list, I realized that it represents my own interests as much as each gallery’s specialization. Very likely, I have left out some specializations either because I am not interested in them or haven’t got around to them yet. Still, it’s useful to know which gallery to go to if you’re interested in a particular artist, so I’ll let the list stand, even while acknowledging that it is probably incomplete.

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