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Posts Tagged ‘Bruce Byfield’

For me, sanity in December is defined as keeping out of the shopping malls. The hordes of increasingly desperate shoppers, all over-dressed for indoors and getting increasingly hot and frustrated is one of the worst ways I can imagine to suck all the joy out of whatever mid-Winter festival you happen to celebrate (For years, I’ve sent custom cards with every possible greeting from “Merry Christmas” to “Io, Saturnalia!” crossed off one after another).

This attitude is hardly surprising. To start with, I’m not a recreational shopper. I can’t imagine having so little to do that I would wander around looking for something to buy. For me, shopping is generally a grim, serious business, comparable to a commando raid, in which getting in and out in the least time is the main objective – which is why I do the grocery shopping; I can be counted on not to overload the budget with impulse purchases. The two exceptions are books and music, and I don’t count them as consumer items, since I get the same pleasure out of a library or someone else’s music collection, and much of what I buy is not only hopelessly untrendy, but bought to keep.

Such shopping as I do tends to be in small street front stores. The store rents in malls are so high that interesting stores, or even stores that offer anything except the latest fashions were long ago banished elsewhere.

If you want a tailored shirt, fine Japanese porcelain, or weapons grade chocolate, you don’t go to a mall – you hunt down a small store front that is either rented by an ambitious immigrant or has been in the same family for three generations, and do your shopping there, socializing with the clerks and maybe sitting down with a cup of herbal tea before you pay for your purchases. That’s shopping as it was meant to be, and mall stores simply can’t offer it.

Besides, between degrees, I worked in a mall book store for several years, and the experience left me with a disinclination to linger in malls at any time of year. The way that buildings are used for extended periods leaves a patina of emotion over them, and, although malls fall short of the oppressiveness of a prison, they are still far from being intimate or comforting places to linger.

Add this general nature of malls to the fact that I spent two Christmases having nightmares about endless lines of customers by night and being tormented by day by repetitions of the Smurf’s Christmas album every forty-five minutes (the mall only had two seasonal albums), and the wonder is that I don’t flee screaming from mall entrances like some hapless South Pacific explorer who’s just raised Cthulhu from R’lyeh.

Still, even without these preferences and previous experiences, I would find malls in December an unpleasant experience. For one thing, the seasonal decorations feel like they are trying to jolly you into a good mood, and that always brings out the worst in me – I’m generally an easygoing person, but I clench my jaw any hint that someone is trying to manipulate me.

For another thing, the sheer number of people who descend on the malls in December is overwhelming. I’m not thinking physically so much, although recreational shoppers can be frustrating for those of us who treat shopping like a bombing mission. While you want to walk briskly, they stroll slowly, making abrupt stops and darting out suddenly in front of you and generally getting in your way.

Instead, I’m thinking of the sheer number of purposes all boxed in together and conflicting. Emotionally, it’s as though everyone is smoking highly individualized cigars in a confined space – the effect quickly drains you.

You don’t get this same effect on public transit or at a concert. In these places, most people have much the same purpose, such as waiting out the ride or listening to the music. But a crowd of Christmas shoppers is not a group. It’s a mass of individuals, each filled with their own purposes.

Then, just to make matters worse, the longer shoppers have to search or wait in line, the intenser their emotions become. And, many of these emotions, of course, tend to be negative ones; you almost never seen holiday shoppers looking pleased or excited, or expressing how pleased the person they are buying for is going to be with a purchase. Instead, the concern is whether an item is in stock or can be ordered in time, or whether they can find a place to sit and eat or why the mall overheats everything and whether that person over there is going to cut into the cashier line. Such emotions and concerns become increasingly heightened as the month of December continues, culminating on the last shopping day before Christmas, then bursting out in one last ugly outbreak during the post-Christmas sales.

If you’re at all sensitive to the mood of crowds – if you can sense how a band has left everyone mellow of full of social purpose, or whether a protest march is about to turn ugly – then about fifteen minutes of this stew of concentrated negative emotions is all you take. Then, like me, you either have to flee or find a quiet corner where you assume the fetal position without being noticed.
Rather than face this disquieting experience, I find it easier just to avoid malls in December. If I miss a few bargains, so what? They were likely on items I’d never purchase anyway. And the main advantage of this avoidance is not just that I find buying presents less stressful, but I arrive at the holiday feeling less exhausted.

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In my circles, at least, an increasing number of people seem determined to escape the consumerism associated with Christmas. Instead of buying gifts, they’re making donations in the name of people. One man goes even further, telling those around him that he doesn’t want gifts. Intellectually, I am all for these ideas, and feel that I should emulate them more than I do. However, on another level, I wonder whether, in struggling against the tawdriness of the season, they go too far in the opposite direction.

Your feelings on this subject, I suppose, will partly depend on the level of consumerism you associate with the season. If you’re accustomed to buying one large gift and going deeply into debt, then cleansing yourself of these expectations will likely be a relief. Too many people see gift-giving as a kind of competitive potlatching, in which their extravagance assert their own status or worthiness.

If, however, you’re like me, and prefer to give small, carefully chosen gifts that don’t exceed your budget, then a completely anti-consumer Christmas risks being joyless.

From the point of view of giving, finding a gift for someone is an act of empathy and imagination. Except, perhaps, in the earliest stages of a relationship, industrial culture doesn’t have many customs that encourage these things, so we shouldn’t eliminate the few that do. For me, selecting a gift for someone I care about is a pleasure, and I consider a day well-spent as I try to imagine this person reading that book, or how that set of earrings might match that person’s skin or hair. And despite the chances of making a wrong choice, I admit, too, to a little pool of gratification inside when I see that my choice pleases the recipient – or, at least, that they’re pleased that I made an effort.

From the point of view of receiving – well, the inner child (as we’re calling Freud’s Id these days) always enjoys being pampered. For myself, I have to admit that an unread book can reduce me to a state of intellectual gluttony. Give me a stack of unread books, and I am in the same state of happy frustration as a parrot trying to choose between a playtoy and a millet stock. No matter how much I try to be an adult and socially concerned, I have to be honest and say that a card that says a donation has been made in my name just doesn’t compare.

Besides, a donation card seems reminiscent of of a gift card, that most impersonal of presents. Unless very carefully chosen, it can seem the gift of someone who doesn’t know you very well, or, perhaps, of someone who doesn’t want to know you. Either way, it seems contrary to the whole point of gift-giving, which is to claim or reaffirm a relationship. Gifts between strangers are sometimes useful or necessary, but, even then, they are more successful when they are chosen to given pleasure to the recipient.

And if that sounds childish, I agree. But we place such a premium on responsibility and maturity these days that maybe letting the inner child out for a brief romp isn’t so bad an idea. At least that’s better than repressing it until it escapes in the form of an entrepreneur’s greed for money or power.

I do make donations at this time of year, if only for the selfish reason that it’s the last chance to reduce the years’ taxes. At times, too, my gifts do include donations. But I much prefer to keep my charities separate from the art of gift-selecting. Insisting that everyone must constantly be an adult and act out of enlightened motives is simply too high an expectation to place on anyone.

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At this time of year, newspapers are full of stories about how to act – or not act – at office parties. As I skim them, I reflect with satisfaction that I have a good chance of never attending another office party, whether for Christmas or anything else. Off-hand, I can’t think of a more unnatural and contrived effort at celebration.

Even though most of my adult life I’ve been a consultant, I’ve seen my share of them. And most office parties are grim affairs. At best, they’re full of quiet desperation. When you are used to relating to people at work, trying to relate to them socially can be an abrupt switch – except, of course, for those who are at least friendly enough to go out to lunch with.

The awkwardness is compounded by the efforts of supervisors and staff to interact, and, in high-tech by the lack of social skills possessed by the average developer. Most people spend their time standing around uncertainly, staying only because, no matter how dreary the party may be, it’s marginally more interesting than doing their jobs.

And that’s at the best of office parties. I’ve seen companies where the human resources staff literally hunted people through the hallways, dragging them out of their offices and the washrooms where they’ve gone to ground.

Sometimes, the blame for the average office party lies in the hands of company officers or owners. Full of their own magnanimity at giving the staff a treat, they overlook how little people are enjoying themselves. I remember at one company, the owner ordered pizza every Tuesday night, only to find that much of his order was going to waste. Finally, he thought to ask his staff. I’ll never forget his stricken look when he realized that the employees thought of pizza night as a duty, rather than an enjoyable experience.

However, most of the blame belongs to human resources. Somewhere in the last few decades, the idea has taken hold that human resources staff don’t just hire and fire and take care of benefits. No – they also have to be Club Med entertainment directors.

They run around organizing birthday parties and fun events like bowling in the hallway, ring-tosses, and singalongs, and pressganging people into activities that are meant to break the ice (but really only unite people in their common embarrassment). All the while, they have a bounce in their steps and a perky smile on their face because they like organizing people and are in their element.

“You just know she was in the pep club in high school,” one fellow sufferer muttered to me as we endured one HR director’s efforts to organize teams for Pictionary. I remember looking at the director running around and thinking: What’s the use of growing older if you still have to hop around like a demented robin?

By far the worst of these human resources efforts was at a small software company that had been working non-stop for several months to finish a project. The overtime was so constant that, if everyone had been paid by the hour, the cost of the project would easily have doubled. To make matters worse, the project was done during the best weather of the year.

Dimly sensing that the staff had been pushed to its limits, the company officers announced they were renting a night club for the evening. Considering that the lead programmer on the project was a devout Moslem (which everyone knew, because he prayed several times a day in his cubicle), the idea was tactless – he not only didn’t drink, but wouldn’t enter a night club. Yet, without him, the project would never have been finished. You could almost hear the silence as people looked around in embarrassment at the meeting to announce the party.

Then, a voice from the back (mine) asked, “Can I have his drink tickets?”

But even with free drink tickets, nobody wanted to go. They’d had enough and wanted to go home at the end of the day for once. I wouldn’t have cared much myself, since as a consultant I got paid by the hour, except that I didn’t think I could bill for the party.

Embarrassed, the company officers changed the event to a Friday afternoon. Still, nobody signed up, despite repeated emails. Come the day, the human resources manager rounded us up like an obsessive-compulsive sheep dog, and herded us over to the night club. We made a concerted rush for the bar, downed our three free drinks – and, at quitting time, three-quarters of us left in such unison that you would have thought we had planned our escape beforehand.

Every now and again, people ask if I feel lonely working from home. But I only have to think of these situations to realize that, if I occasionally am, there are compensations, too. I’ve done my time pit-lamped like a stunned deer under the gaze of an HR manager determined that I’ll have a good time and be grateful, and I have no intention of being in that situation again.

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L’esprit de l’escalier is an exception to my usual preference for English words over foreign ones. Too often, the foreign expression is chosen only to impress. However, I make an exception for “l’esprit de l’escalier.” Not only does it lack an exact English equivalent, but the metaphor is too evocative for me to resist. (I understand that it is no exact French equivalent today either, being 18th Century French, but I digress. Update — apparently, I was wrong here, according to the comment below).

Translated, the phrase means “stairway wit.” It refers to the retorts and comebacks that come to you later – when, in fact, you are descending the stairs from someone’s front door or apartment to go home.

There’s a literal illustration of the phrase early in Neil Gaiman’s Death: The High Cost of Living when a teenage boy descending a stair well thinks of all the ways he should have responded to a Goth girl’s declaration that she is the incarnation of Death.

Most people can respond to the phrase, because they’ve experienced stairway wit themselves. As Leslie P. Polzer, a reader of this blog and sometime journalistic colleague, points out, delivering comebacks when they’re needed is a skill that requires practice. I would add it also requires a will to be perceived as witty or comical that most of us simply don’t have – or want, really.

Oscar Wilde or Beau Brummell’s remarks might be enjoyable to read, but I strongly suspect that both Oscar and Beau would have been annoying to endure for more than a moment at a party, especially if you were hoping for a serious conversation. Just as a discussion was becoming promising, they’d interject with an aside whose main point was to call attention to themselves rather than advance the discussion. I suppose, though, that their wit might be useful in interrupting a bore, or breaking up an argument with laughter, but it takes an egotism that most of us don’t have to be constantly calling attention to ourselves with a well-turned phrase or piece of humor.

Instead, most of the time, the rest of us go away stewing or still thinking, and only come up with what we should have said hours later, or the next morning as we wake up. As a result, we rarely get to deliver our stairway wit – finding the audience and insisting on offering it would usually be boorish or impractical for any number of reasons. And so our stairway wit is wasted, a waste that most of us find frustrating. So, it’s good to have a label to put to the experience.

Conversely, the odd time that we do manage to play Oscar Wilde or Beau Brummell, we treasure the experience precisely because it is rare.

In my case, I have an extra reason for appreciating the phrase. As a writer, revision is an important to me, and l’esprit de l’escalier is a form of revision. It’s a recasting of a conversation as you would have liked it to have gone. Life itself not being subject to revision, stairway wit is necessarily an entirely mental process, but it’s a form of editing all the same.

Not only do I appreciate being able to distinguish this form of editing from, say, proofreading or copy editing, but I probably spend more of my time on stairway wit than most people, thinking of what I might have said to gain a laugh or here, or to keep a friendship there or win an argument somewhere else.

That’s one of the minor vices of being a writer: After a while, you want to revise everything, no matter how impractical doing so may actually be. I spend a lot of time on that staircase, muttering internally, so I appreciate a convenient phrase that describes where I am.

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Setting: The checkout at the video store. I’m second in line. The woman speaks to the female clerk.

WOMAN: Do you know where I can find a DVD copy of The African Queen? I can’t find it anywhere.

CLERK: There’s a Japanese release. It has Japanese packaging and an option for Japanese sub-titles, but it’s still the original movie. Let me just check about availability.
(beat as she searches on her computer)
Yes, here it is.

WOMAN: And it’s exactly the same as the original?

ME: Well, except for the car chase they’ve added at the end.

(Woman stares at me in disbelief for a moment before she laughs, while I feel immensely pleased at having managed for once to deliver a good line on time, instead of thinking of what I should have said six hours later).

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Near-freezing conditions in December always remind me of my decision to move out of my parents’ house. I didn’t actually move out for another eight months, but I made the decision after my visit to a high school friend in Saskatchewan.

I’d met her in Grade 12 when she attended my high school for half a semester. I was infatuated with her, and, although she didn’t reciprocate, we kept in touch when she returned home after Christmas. Since then, other love-interests had crept into both our lives, but, after five straight semesters of university, I was ready for an adventure. Somehow, travelling to see someone was more appealing than heading somewhere on my own.

Even so, the trip was an adventure to me. I was green, and knew it. But, eager for experience, a few days after my last exam, I boarded a train in the cold of early evening. I could hardly believe my own daring.

Traveling as cheaply as possible, I didn’t book a sleeper car. The trip was supposed to take 36 hours, and, being young, I didn’t see any trouble with staying up all that time, and maybe napping for a few hours if I started to flag.

Right away, I found myself thrown into a world of strangers. Seated across the aisle from me was a thin, unshaven man, obviously an alcoholic, who had a great fund of stories about working as a logger and at other manual labor. Across from me was a fat First Nations woman missing a front tooth, who suggested that I sleep first while she kept watch – a comment that made me so nervous that, when I slept, I made sure that my wallet was on the side closest to the seat so that nobody could pick my pocket when I slept. For a while, too, I shared my seat with a young army cadet. He was a year younger than me, but he seemed so fully of worldly experience that I felt about fourteen in comparison.

The train was still in the Fraser Valley when we hit snow. As we inched through the mountains, the train employees kept upping their estimates of how long the trip would take. By the time we reached Boston Bar, we were already a couple of hours behind schedule. I remember waking and descending from the train to take a couple of cautious steps, ready to bolt back if the train started moving, just so I could say that I had. It was my adventure, and I was determined to get the most of it.

We hit the Rockies just in time for sunrise – a sheet of blinding light spreading from behind craggy peaks that I can still see if I stop and remember. Another night, and we were in Edmonton, where I stepped off the train again to stretch. I thought of a penpal I had in Edmonton, and thought of calling, but concluded reluctantly that she probably didn’t want a call at 3AM on a Sunday.

In Edmonton, at least one passenger left to take a plane to Toronto. The alcoholic across the way said that the average trip across Canada took longer now than it had in the 1930s, a fact that one or two train officials confirmed.

By the time we reached Saskatoon, we were fourteen hours behind schedule, and I was cramped, and crabby from lack of sleep. Even so, I looked around the train station with undisguised awe, looking at signs promising departures to Le Pas and Churchill Manitoba that had previously only been names on a map to me. These places were real, I suddenly understood, and people could travel to them.
I found a cheap motor hotel, and got in touch with my friend. She still had exams, so, for much of my days, I was on my own. I explored the city on foot, especially the campus of the University of Saskatchewan, and even fantasized about transferring there long enough to make a couple of appointments with the advisors.

I even had the thrill of stopping by the office of a magazine that was publishing a poem of mine, and answering a question that arrived in a letter shortly before I left. Yes, I definitely meant “wondering,” not “wandering,” I told the editor from the doorway. “Oh, I was just wandering,” she replied.

At night, I ate at the restaurant attached to the motor hotel. If my friend was busy, I stayed in my room and wrote poetry. I felt very grown up, writing poetry in my hotel room, and more than a little self-consciously dramatic.

The last night of my stay, my friend invited me after dinner. We went for a drive out on the prairie, and I remember the impossibly bright stars and the seemingly endless miles of dark, flat land around us that left me disoriented and dimly frightened. As we drove, we had one of those long talks that seem so important when you’re a young adult, and she told me she was seeing someone else. Finally, she drove me back to my hotel. We held hands for a while, and I felt like telling her that I didn’t need sympathy, but for a long time I kept holding her hand anyway, enjoying the feel of her chubby fingers when she squeezed mine.

The next day, I took a taxi to the train station for the journey home. Moving to Saskatchewan was probably out of the question, I thought. But if my friend could move hundreds of miles to go to university, the least I could do, I decided, was to move out on my own. I couldn’t do much with a new semester about to start, and I needed a summer of work if I was going to pay rent, but, eight months after I returned home, I did move out. Nor, except for two weeks when I was between semesters and apartments, did I ever move back.

Somehow, after that late night car ride, I never did get back in touch with my friend. I didn’t seem to have anything more to say to her.

A few years ago, she called me unexpectedly after she had found a trove of some of my poems, wanting to apologize for having treated me shabbily. But I felt embarrassed talking to her with Trish nearby, and, anyway, I still didn’t have anything more to say. I listened and made non-committal noises, sensing that what she wanted was less my forgiveness than an opportunity to forgive herself.

I was unable to tell her that, so far as I was concerned, she had done nothing to forgive. She’d given me the opportunity for adventure, and given me an example for doing what I should have done at least a year earlier – and each of those was a gift that she could hardly have equaled even by asking me to spend the night with her.

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Early in The Hobbit, J. R. R. Tolkien mentions that the Baggins family was so respectable that you knew what a member would say on a given subject without the troubling of asking them. He meant that they were hopelessly conventional, and, despite his own conservatism, Tolkien leaves no doubt that Bilbo Baggins became a better person for having adventures and becoming an eccentric. I’ve been thinking about this comment a lot lately, because recently I’ve been feeling like I’m surrounded by the members of the Baggins family.

The specific trigger for this feeling was an effort to get back in touch with someone last week. I was reasonably certain I wouldn’t get a reply, but every once in a while, a Baggins does go off and have an adventure, so I tried anyway. Call it an act of cynicism, or a gesture of faith – you wouldn’t be wrong either way – but I was right.

Since then, I’ve had half a dozen other incidents in which people acted in the most predicable way imaginable. Maybe I’m just too observant for my own good, but I find this predictability disappointing. When, I keep wondering, are people going to stop acting like characters out of a movie or book, and start acting like people?

You know what I mean. I’m talking about the people who, if you know one of their opinions on social issues, you know most of the others ones. The people whose greatest wish is to be married – not because they’ve found someone special, but because all their friends are getting married or they’re afraid of the sound of their own thoughts when they’re alone. The ones who never rebel, or the ones who rebel by getting a tattoo or body-piercing just like millions of others. The women who see all men as predators, the men who see all women as prey. The businessmen and women who underpay employees but set up carefully selected charities so they can live with themselves. All the millions of reconditioned Victorians with their secondhand hypocrisies and emotions who cry at nationally declared tragedies that didn’t affect them or theirs and put flowers and plush toys on the roadside shrines for strangers, but won’t stop to help someone with a flat tire or give a dollar to someone begging on the streets.

What I really want to know is: Does everybody have to be such a walking cliche?

I don’t know if people are getting worse, or I’m simply observing more as I get older. Remembering Oscar Wilde’s comment that there was no fog on the Thames until artists painted it, I have a theory

(I always have a theory)

that people are taking their role models from the thousands of hours of sitcoms and reality shows that they watch.

That insight first struck me when I read a decade ago about a man who hired a hitman to go after his girlfriend. At the time, I wondered: Had he ever thought of talking to her? Or just leaving?

But, increasingly, I seem to run into people who act as if they are in a TV show scripted by a derivative hack.
It’s easier, I guess, than thinking for yourself.

The thought that people are basing their lives on bad art is depressing enough. Yet the real nightmarish thought is that maybe people aren’t capable of better.

What if they aren’t simply failing to live up to potential? What if they are living up to their potential, and the mediocrity of a bureaucrat refusing to bend the rules out of compassion or the petty mendacities of people who don’t have the decency to breakup with their lovers face to face are really the best that the average human can do?

If I truly believed that for more than a few seconds, then I would know what despair was all about.

So far, I still cling somehow to the belief that people are better than they let themselves be, that people could be foresighted, decent, and courageous if they chose to be, that people really could surprise me and shatter my gloomy cynicism. But, with all the petty daily betrayals of themselves, I have an increasing sympathy for Cassandra.

You remember Cassandra. The Trojan princess to whom Apollo gave the gift of prophecy, then cursed her so she would never be believed? When I predict how people will act based on my experience and knowledge of convention, I get the same dubious stares she must have endured. And, like Cassandra, I am just as tired of being right as I am of being doubted.

Sometimes, I almost feel like standing on the street corner and shouting, “Come on, people! Surprise me, just once! Prove me wrong!”

But, like Cassandra, I’d only get blank stares if I did. Apparently most people haven’t read The Hobbit. Or, if they have, they were cheering for the Bagginses instead of Bilbo.

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Inspirational poems and songs are pieces that reaffirm our core values and beliefs. This is not a great age for belief of any sort, so inspirational works are often equated with religious ones. However, even an agnostic like me can find inspirational poems and songs.

In my case, the situation is complicated by a temperament that requires that a piece has to have artistic merit as well as reaffirm in order to move me. I don’t expect inspirational works to necessarily demonstrate the same talent as poems or songs that I value as art, but, because many works that try to inspire wind up being insipid, they leave me massively unmoved. When I’m looking for inspiration, a Hallmark greeting card just won’t cut it. Still, over the years, I have found a few that satisfied me on both accounts.

For instance, earlier this year, I decided to write an email that might be hostilely received. As I psyched myself up to press the Send button, my mind flitted to Rudyard Kipling’s poem “The Looking Glass.” The poem is perhaps sexist in its assumption that aging is a distress to all women, but what I remember best is its insistence that sometimes you have to face up to what makes you afraid, even if the result is unpleasant.

The poem concerns Elizabeth I in late middle-age, stealing herself to look in the mirror:

Backwards and forwards and sideways did she pass
Making up her mind to face the cruel looking glass.

She is haunted, if only in her mind, by Mary Tudor and Robert Dudley, and, in the end she tells herself:

Backwards and forwards and sideways though I’ve been,
Yet I am Harry’s daughter, and I am England’s queen!

Then she draws herself up in front of the mirror, and sees what she must have known all along: That she is aging, and no longer beautiful. I always like to think that I’m the sort of person to face up to unpleasant truths, so the poem is apt to come back to me whenever I’m dealing with something whose results I may not like.

Another inspirational piece for me is Stan Roger’s “The Mary Ellen Carter.” The song is about a group of sailors – fisherman, most likely – whose ship goes down. They decide to salvage the ship, despite being mocked. The chorus apparently kept at least one man alive while trying to survive a shipwreck. It certainly kept me going in the worst period of my life:

Rise again! Rise again!
Let her name not be lost to the knowledge of men,
All those who loved her best and were with her till the end,
Will make the “Mary Ellen Carter” rise again.

The song is sung when all the work is done, and the sailors plan to raise the ship tomorrow:

And the drunken lying rats
That left her to a sorry grave,
They won’t be laughing in another day.

There, Rogers leaves them to deliver the moral – the only moral, incidentally, that I have been able to tolerate:

And you to whom adversity has dealt the final blow,
With smiling bastards lying to you everywhere you go,
Turn to and put forth all your strength of hand and heart and brain,
And like the Mary Ellen Carter, rise again!

Rise again! Rise again!
Though your heart it be broken, or life about to end,
No matter what you’ve lost, be it a home, a love, a friend,
Like the “Mary Ellen Carter” rise again!

Endurance, success being the best revenge, never giving in – yeah, I can get behind all of that.

More recently, OysterBand, another of my favorite musical groups, came up with a song that has always seemed a deliberate echo of “The Mary Ellen Carter.” Advising listeners to “lift your head up /gonna rise above,” they launch into the chorus:

And we’ll rise where shadows fall,
And we’ll fly where money crawls,
Looking out for a higher love,
Not gonna fall, gonna rise above.

And we’ll fly where shadows fall,
Till the pain can’t touch you at all,
Crazy things you were thinking of,
Rise above, rise above!

The independence and determination of this song also speaks to me.

Technically speaking, these aren’t the best works by any of these artists. Yet we all need some reinforcement of our core values from time to time, if only to get up on Monday morning. For better or worse, these are the works that keep me moving most often, although from time to time others join the play list: A stray line or two from Shakespeare, a poem by Sir Walter Raleigh, and a satire by Robert Graves among them. I’m sure they all speak volumes about the kind of person I am.

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Today, I had the new experience of helping out with a podcast. Like most people, I hate hearing my voice (it always sounds clumsy and over-precise), and any wishful belief in my own eloquence wilts when I hear all the “ums” with which I punctuate my speech, but I hope I have the chance to take part in another one.

I could hardly be excluded from this one. After all, it was an article I published a few weeks ago, “GNOME Foundation defends OOXML involvement,” that sparked the podcast. Moreover, when Jeff Waugh of the GNOME Foundation first floated the idea, he had me in mind as a neutral third party, and I was the one who pitched the idea to Linux.com, the main buyer of my articles. Admittedly, it was an easy sell, since Robin Miller, the senior editor at Linux.com, is a part time video producer and always looking for ways to extend the print coverage on the site, but I was still the one who got things moving.

After stumbling into the center ring while technical problems occupied Robin and Rod Amis, the producer, and stuttering into the silence, I soon found my tongue. The experience was not much different, I found, from doing an ordinary interview or teaching a university seminar. In all three cases, your purpose is not to express your own opinions, but to encourage others to speak, and to clarify their vague references for the sake of listeners. The fact that there was an audience of about 650 – good numbers, Rod tells me, for a daytime podcast – didn’t really affect me, because I had no direct contact with them.

Jeff Waugh and Roy Schestowitz, the two guests on the podcast, have been having bare-knuckle arguments on various forums, so I was expecting to have to referee the discussion. In fact, the image kept occurring to me of those soccer referees who are sometimes chased off the field by irrate crowds. However, the slugfest I expected never materialized. It’s harder, I suppose, to insult someone verbally, even over the phone, that to fan a flame war on the Internet, and both were more polite live than they had ever been at the keyboard.

Besides, Robin has the voice of someone calmly taking charge without any expectation of contradiction. Perhaps, too, an echo of my old university instructor voice ghosted through my own words.
But, whatever the case, everyone survived. I even think that the increased politeness influenced both Jeff and Roy to make concessions to each others’ viewpoints than they never would have considered online. As a result, I think that the point that the dispute is one of tactics rather than of different goals came through for the first time in the month or more that this dispute has been unfolding. However, I’m not sure that either of the principals has made the same observation.

The show had glitches that better planning might avoid next time. However, I like to think that both sides had a reasonable chance to express themselves, so it could have been worse. The Linux.com regulars are already discussing the possibility of another podcast, and I, for one, can’t wait.

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The poet and novelist Robert Graves once said, that, if asked on his death bed, he would say that the secret to writing poetry is to control your “s” sounds. I’m not in his league, but if I were to give any death-bed secrets about writing prose, mine would be to learn all you can about structure.

Turns of phrases are easy. From my years of teaching first year composition at university, I’m convinced that most people of average intelligence can learn to write a literate sentence. With a little extra effort, many can produce wit. If they’re stuck, reading their favorite writer – or, better yet, typing out a page or two from their favorite work – will influence them into efforts beyond their usual range.

Structure, though, is another matter. The typical high school model of an essay with an introduction and conclusion and three points in between isn’t nearly enough. Then, just to make matters worse, we don’t have a vocabulary that describes different ways to open or conclude a story or to deal with opposing views in an essay. As a result, most writers begin to work almost blind to structure, and without the words to think about it consciously.

For some writers, these conditions aren’t a problem. They learn about structure on an unconscious level through trial and error – that is, many drafts – and are happy. However, for most writers, these conditions mean uncertainty and wasted effort, especially when they are just learning their trade.

If you are one of the majority, you have only two ways to move beyond such uncertainty and waste: Constant practice, and at least a temporary obsession with structure.

The practice part is easy enough if you’re disciplined. Write every day and after a few hundred thousand words or seventy or eighty pieces of prose, and you are likely to arrive at a point where the necessary structure becomes clear to you as soon as you have your main idea or plot.

Meanwhile, though, you are apt to become frustrated. What’s worse, if you miss a few days of writing, you may lose your sense of structure to a degree and need to build it up again.

A more solid approach is to study structure consciously, so you get in the habit of thinking about it. That means, whenever you read a novel or an essay, spending some time thinking about the structure. You may even want to create a diagram, summarizing not only the main plot developments or points, but how they relate to the rest of the work.

Works that you especially like or dislike are especially useful, because you have the motivation of trying to understand why you have the reaction that you do. However, you can also work with stories that leave you relatively unmoved one way or the other, trying to create a new or alternative structure for them.

For any work that you spend time on, you can also experiment with how reordering them affects the result. If the work is really successful, you’ll find that you can’t change the structure without changing the plot or the argument. If you can rearrange the parts, then the work is likely flawed (or, possibly, you’ve misunderstood it).

This sort of study is difficult. You have to do it without support and very few resources outside of your own powers of observation. Moreover, for a time, you may be uneasily aware of reading everything you encounter on two levels: First, as a reader, and second as a writer-in-training who wants to dissect the structure. But keep on with the study, and you’ll soon start to build a repertoire of structural strategies you can apply to your own work. You’ll start to have the sense of the different ways you can put a work together, and even, at times, of when there’s a gap in the structure of what you have written.

Difficult? Of course. But if you really want to write well, you have little choice. Either you discover structure on your own, or you learn the craft from other writers – there are really no other choices.

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